Issues : Errors of A

b. 3

composition: Op. 28 No. 22, Prelude in G minor

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In A (→FE) there is no  raising f1 to f1. The manifest inadvertence was rectified in FC (→GE) and EE.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Errors of A , Fontana's revisions , Errors repeated in FE

b. 8

composition: Op. 28 No. 22, Prelude in G minor

Quaver in A (→FC), contextual interpretation (→FEEE)

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The chord in the R.H. part in A (→FCGE) is a crotchet, which, along with the rests filling 5 quavers, adds up to 7 quavers. The way the R.H. part is distributed over the R.H. shows that the excess rhythmic values are to be looked for on the 2nd or 3rd quaver – either Chopin forgot to write a quaver flag to the stem of the chord or he unnecessarily wrote a rest over the 3rd L.H. quaver. In the editors' opinion the former – an erroneous oversight of one element of notation – is more likely than the latter – entering a superfluous rest. Adding a quaver flag is also how this passage was corrected in FE (→EE).
GE repeated the mistaken rhythm after FC, and what is more, erroneously placed all 3 rests following the chord in the 2nd half of the bar, over the 3 L.H. octaves (the identical error in distribution.of rests was also comitted in FE).

The erroneous notation of the sources is reproduced in the graphic transcription ("transcript" version). In the content transcription ("edited text") we interpret the text of A, FC and FE in accordance with the correction introduced in FE, and the text of GE the alternative way.

The chord in the R.H. part in A (→FCGE) is a crotchet, which, along with the rests filling 5 quavers, results in 7 quavers. The mistake was corrected in FE (→EE) by adding a quaver flag to the stem of the chord. We also believe that the notation should be corrected like that:

  • such a rhythm results from the way the L.H. part is written under the R.H., especially in the 1st half of the bar;
  • an erroneous oversight of one element of notation – a quaver flag – seems to be more likely than entering a superfluous or wrong rest.

category imprint: Interpretations within context; Differences between sources

issues: Errors of A , FE revisions , Errors repeated in GE

b. 19

composition: Op. 28 No. 22, Prelude in G minor

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A (→FE,FCGE) has no  lowering a1 to a1. The obvious inaccuracy was spotted only in EE.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Omission of current key accidentals , Errors of A , Errors repeated in GE , Errors repeated in FE